Upcoming 2019 Performances: March 13, 2019 at 8 PM, Brotherhood Synagogue, NYC Ester an Oratorio by Alessandro Stradella with SalonSanctuary.org
April 6, 2019 at 10 AM and 7:30 PM, Ames, Iowa Guest vocalist with Ayreheart
Notable 2018 Performances: Friday September 7 @ 6 PM Galileo's Daughters perform Perpetual Motion: Galileo and His Revolutions at Acadia Night Sky Festival in Bar Harbor, Maine Galileo’s Daughters will be presenting an outreach program during the day of September 7 at Mount Desert Island High School in Bar Harbor Sunday September 8 @ 7 PM Galileo's Daughters perform Perpetual Motion: Galileo and His Revolutions this performance is being sponsored by Opera House Arts, 1 Opera House Ln, Stonington, Maine Stonington Opera House Sunday, March 4 @ 4 PM Galileo's Daughters perform Perpetual Motion: Galileo and His Revolutions at the Goddard Riverside Bernie Wohl Center, 647 Columbus Avenue, NYC. Tickets - click here Sunday, March 25 @ 2:30 PM Sarah joins the famed crossover early music ensemble Ayreheart for a concert at the University of the Pacific, Faye Spanos Concert Hall in Stockton, CA sponsored by Friends of Chamber Music Saturday, May 12 at 7:30 PM and Sunday, May 13 at 3 pm Sarah joins Long Island Baroque in a concert of madrigals - at St. Andrew's Lutheran Church in Smithtown, NY and Christ Church in Oyster Bay. If you are in the neighborhood, come on down! Thursday, May 17 @ 1:15 PM Sarah joins Mr. Jefferson's Musicians for a midtown, mid-day concert of music from Thomas Jefferson's library. Saint Bartholomew Church, NYC, sponsored by Gotham Early Music Scene Friday and Saturday, June 22 & 23 Sarah joins Ayreheart at the Indianapolis Early Music Festival Check out Sarah's review from the Indianapolis Early Music Festival! "The program had another star with whom the lutenist [Ronn McFarlane] could share the limelight. Vocalist Sarah Pillow, who has parlayed her jazz background outward into various styles... was on hand as guest to offer picturesque interpretations of several songs....she delivered admirably, from John Dowland's "Come Again" through the program's rousing conclusion, a nonsense ballad from medieval England called "Nottamun Town." An original encore, "Sings in Her Sleep," demonstrated that her voice could sustain a singer-songwriter intimacy...from belting ("John Barleycorn," which ended the first half) to the hard-to-define early-art-song territory (Dowland's "Fortune, My Foe"), she showed herself to be an adaptable artist. Emotional urgency was sometimes linked credibly to a soft-spoken manner, as in the medieval Welsh lament "Ddoi di dai." Read the whole review here (By blogger Jay Harvey, former chief critic of the Indianapolis Star)
